Something about "modern art"

[Onbael_]

I will start by saying that these are just some thoughts pinned on the topic and may represent the topic in a non-complete version.



There was a period around the late 1800s where luxury and decoration was excessive, and in response to that, there was a movement to reduce everything to the bone and the bare minimum.

Here to understand just think of an ultra-decorated throne, if it is burned only the iron support remains, this iron support is the new chair.

Around 1920 or so in Germany there was the gestalt school (formed by probable jews), in this school there were professors who with the students studied the "laws of form" and much more, while practicing a new form of "art." This "art" is completely disconnected from the past and is based on absolute freedom of expression.

With the realization of certain studies where they claim that human beings see only compositions of squares, circles and triangles (quite alienating studies, maslow's pyramid here is another example of how jews define humanity as something like a robot), this form of "art" takes another turn.

Hence completely nonsensical works begin to be produced, consisting only of sketches of geometric shapes with strange effects, also produced for the study of psychology and reaction.

This marks the beginning of artistic degeneration up to modern art.

As the concept deepens, art loses more and more of its meaning, and the ultimate goal is that art itself is excess, and therefore must be erased.

This can also be demonstrated by "established artists" who have presented literal garbage hanging from ropes, bananas stuck to the wall, and completely empty rooms.

An enemy agenda to destroy art, compared to the past where it was only corrupted to exclusively praise xianism.

gestalt was persecuted by National Socialist Germany, and changed locations countless times, until most of the participants fled to the US.

From there most of the jews in this kind of fields, created studies and theories on psychology(theories that became foundations of certain kinds of subjects), and being there also architects, they designed the skyscrapers and other similar buildings, such as those in Chicago, and gave birth to a flat and soulless architectural movement.

Speaking of "modern art", the key is anything can be anything, depraved and toxic concept.

I have personally tried thinking about "modern art" projects for about 30 minutes, and I can assure you it is poison to the mind and spirit.

To be a "modern artist" needs very bad creativity and imagination and a refined ability to tell lies to justify the crap you have produced.

"Modern art" is therefore just the product of a deranged jewish mind to push into the minds of Gentiles the most annoying jewish propaganda in an annoying way while destroying art.



As I said at the beginning these are just some thoughts, if the post is elaborated more we can create the article "The Jewish Origins of 'Modern Art'."

Another thought is about JoS, there are many of us and we have the greatest artistic-creative potential. Therefore, we must create our own artistic current and restore art to its original glory.

After all, this is how art is revolutionized, with a new movement or current becoming used and famous.

 

[tabby]

This reminds me so much of a video I watched some time ago. [https://youtu.be/Jdbjzs2_1rY]

 

[Fiery Pluto]

Many of the historical artistic avant-gardes of the early 20th century had Jews or communists as their main exponents or were affiliated with Jews and communists. Or at least in these avant-gardes there were artists who suffered from mental problems/depression such as Kirchner, an exponent of German Expressionism.

Edvard Munch, forerunner of Expressionism, had a deeply pessimistic view of human existence influenced by the hyperxian philosopher Kirkegaard. Munch's works were influenced by this nihilistic existential pessimism. this is probably what prompted Hitler to have his works burnt along with those of Kirchner.

Picasso was a communist and close to Dadaism and Surrealism, avant-gardes with which degeneration reached its peak. He painted the slanderous 'Guernica' with which he falsely accused Nazi Germany of massacring innocents in this Spanish town.

Dadaism was founded by the Jew Tristan Tzara and had the Jew Man Ray as its exponent in New York. With this movement, the artist was no longer the author of the work, but the one who chooses the work. And the work can be anything. this is how the Jews ridiculed the entire artistic heritage of mankind. They made a bottle drainer into a work of art and ridiculed the alchemical aspect of the Mona Lisa (this was done by Dushamp).

Guess what this movement was born from? From the rejection of war. War is the foundation of life and pacifism is what Jews have inculcated in Gentiles since xianity. Out of this rejection was to come an irrational art that challenged 'bourgeois rationalism' and 'traditional social conventions'. For it was from these things, of course, that the First World War was born, not from the Jews.

An irrationalism that bases human existence on the sexual impulse (doesn't this remind you of the theory of the Jew Freud?) can be seen in Dushamp's disgusting 'big glass'. Go and see what this stuff is about and the 'symbolism' behind it. Dushamp was not a Jew, but close to Man Ray he was one of the leading exponents of Dadaism.

On the theories of Freud came back the surrealism that originated from Dadaism and therefore from all the premises of the latter. They wanted to represent the Freudian unconscious and its sexual motivations. It was the case of Salvador Dali with degenerate things like "the great masturbator" and "the enigma of desire. my mother, my mother, my mother" (reference to Freud’s oedipal complex) These were artists who were using drugs to reach altered states of consciousness and access the "unconscious".

Ah and for them, individual liberation corresponded to mental disease, and this liberation on the social plane corresponded to communism.

About architecture and modern design? It derives from the school of the Bauhaus that took up the communist ideology so much so that on the cover of its first training program placed a cathedral surmounted by the communist star. It was founded in 1919 and closed by Hitler in 1933.

The Bauhaus also took up the avant-garde of abstractionism with which art was totally detached from nature. One of the teachers in the Bauhaus was Kandiskij.

One of the abstractionists was Malevic. This here made art a white square on a white background. He wanted to replace naturalism with geometry in painting. Total detachment of art from nature. With Lenin, Russia was not by chance open to avant-garde art until Stalin made art an instrument of the regime.

All this shows how modern art is Jewish and I wish all forum artists to be aware.

 

[Fiery Pluto]

From wikipedia:

"The White City of Tel Aviv has been declared a UNESCO World Heritage Site for the large number of buildings constructed according to Bauhaus architectural principles. The site lies between Ibn Gvirol, Dizengoff, Ussishkin, Nordau and Rothschild avenues and Nachmani and Montéfiore streets and is the work of students, mostly of the Jewish religion, who abandoned the Bauhaus following the rise to power of the National Socialist Party."

From the italian site https://www.architempore.com/100-anni-bauhaus/#:~:text=I%20principi%20fondanti%20del%20Bauhaus,la%20forma%20segue%20la%20funzione%E2%80%9D.

"The founding principles of Bauhaus are essentiality, extreme modernity, equality, attention to colour and form"