BlackJackal said:
The architecture must be based on geometry and harmony.
This geometry is also related to the power lines of the planet, which in turn are related to the position of the constellations.
The idea of this concept starts from the fact that the Earth is a sphere and that the equator (example) is an imaginary line, and since the Earth is a sphere you cannot exactly find a line that finds the right half, it would be like finding the midpoint of a half-line.
By analyzing the position of the stars and constellations it was possible to subdivide the Earth with sensible lines whose power is real, lines totally different from imaginary lines such as the equator.
Thanks to geometry, it was possible to create a grid on the planet.
Cities are then built on areas that are convenient and ideal for their purpose.
Again with geometry you have to arrange the cities in a certain order (which is still unknown to me) and the same goes for the buildings within a city, here we have arranged the geometry of the city.
Now we go into the detail of each building, where every little detail is built on proportions, and this component is arranged in proportion to all the others.
An example here might be the column, pediment, metope, etc...
Each component also has a utility and a spiritual meaning.
Essentially we should build the whole world and all our civilizations on these proportions and geometry.
What you called "mental illness" is only the result of unawareness of geometry, and this unawareness does not originate with modernism.
There are so many examples of buildings older than the modern era, where columns and arches are randomly placed, where they use capitals extended all along the wall, and much more.
In the past people continued to use Greek columns and pillars, but causing them to gradually lose significance, until they disappeared with time.
This past era can be traced in part to the Roman Empire (probably at the beginning of its corruption with julius caesar), and for the rest from the coming of xianism onward.
Also during this period in every aspect of life, efforts were being made to remove "paganism" from society, stealing and perverting "pagan" teachings and concepts, and also stealing and perverting architecture.
An example to understand the concept are those churches that have only an ornate facade, while the back is made of brick.
Clearly it is like a mask devoid of any geometric meaning.
Other examples may be:
Here the arrangement of the elements does not make sense, and there are also parts of the building that have no meaning for the geometry.
Such as the double column.
Here they put the pillars just because it is "cool" or something like that, in fact I don't see any numerical/geometric correlation.
Then let's not talk about the fact that it looks like a mask to cover a building.
Here they put windows and doors completely at random that give zero harmony to the building.
As in the other images there is no porch and the columns are not equidistant.
This one, like the others, is another building where they used the elements completely at random.
I find it a great lack of sense in these provisions.
This is an example of how a temple should be done.
Admire the geometry, it is perfect, proportionate and made according to a criterion.
This image, on the other hand, shows clearly and in various details precisely.
Architectural corruption has more ancient origins than so-called "modernism".
https://youtu.be/dk7y0dCo3f4
This video is an extract from an Italian cartoon, that explaining many things about the pentagram and geometry.