Egon Albrecht
Guest
- Joined
- May 30, 2003
- Messages
- 864
Some error ocurred so I'm re-sending it.
Daniélou’s instance on classical music is bullshit... People like to listen trash because Jews run the media, educational system as well as music industry, so these people are in a lower level of existence, being uneducated to swallow any crap they hear, as well as mocking higher culture as a whole and praising stupidity.
Classical music fans exist in great number so the argument it does’t fitting people’s vibration or whatever is nonsense, and these classical fan’s awareness is higher than the crowd such is its effect on the mind, just give a look at great geniuses and classical music students and fans such as Jimmy Page and Adolf Hitler, and are usually the first ones to give up on enemy programming. Satanism isn’t currently liked by the major crowd so it’s less applicable for humans? Kids learn to like what they were exposed to no matter how bad a music is, and so they are supposed to follow certain enemy religion if they are exposed to it from the birth, and in both cases it’s reversible by education and spiritual openness. So the ‘formula’ is in the Harmonic Field and its infinity of possibilities that all geniuses of music knew how to use well (search about “The Mozart Effect”), not some 4/4 beats formula every modern music has. In either case, these classical fans majoritarily enjoy traditional folk songs which are also disliked by modern mobs. Hence why the Third Reich nourished, educated and promoted classical music and higher culture as a whole, not the other way around, as well as popular non-classical Schlager and Volksmusic if they were of good taste, not excluding the classical bases. Good examples are the State Orchestras and the obvious, Hitler liked and promoted Wagner (who like him, was a Pagan/Satanist). An interesting side-note is that how the musical note G is Sol (Sun) in Western notation, and G in non-corrupted Freemasonry is about the “silver” elixir, that is combined with “gold” Aum for the the Magnum Opus, read: https://groups.yahoo.com/neo/groups/JoS ... ssages/382 Mr. Daniélou can be good at understanding Ancient Paganism, but he didn’t understand quite well of music in a (real) spiritual base or about Jewish control of music industry. This is not only in music but the Jewish destruction of any good art and degeneracy of educational system in order to undermine society, just look at their so called modern “art” and the rotten Jewish spirit in it.
Wager - Judaism in Music:http://www.jrbooksonline.com/pdf_books/ ... nmusic.pdf
Where you can f[/IMG]
And thanks brother Edward for the comentary as follows:
Thanks brother.
Mozart was linked to masonry in the last part of his life. He ended his official work and began investigating in mason mysteries. His last opera (after which he died soon under some very strange circumstances, like being poisoned or such) was called “Magic Flute” and actually is all about allegories. The flute as all classic instruments is symbolic, as far as all aerophones were made of wood in that time still, it is the same wood Wotan and many other Gods hang from - sacred tree of life., which made them go “through fire, storm etc.” The subject was masonic as well, and those feats and tests they went through also had to do with spiritual allegories of advancement in MO and i.e. masonic hierarchy. Soon after he died mysterious death that he foreseen as far as he had extraordinary abilities, extraordinary memory etc. Mozart’s music is said to be healing to the mood and soul and recommended to pregnant mothers.
It is notable how classical orchestra always was very strictly balanced. Specific number of aerophones, brass, strings, drums etc. that has unique balance that creates wonderful magical sounding that only classic orchestra can give till nowadays. There is no too much beat like in “pop” of today. It is balanced so we have the rhythm but in the same time can enjoy the beauty of violins and soft aerophones. It’s because the groups of instruments are symbolic and correspond with the elements. Aerophones - with air, drums - with Earth. They can’t overweight each other or it will be no that healing to soul as it would be if they were.
Also opera theater as a whole is notable: its form is of Ancient Greek amphitheater. Actually all theater and opera came from Greece. In music universities theoretical/historical faculties you can learn that Greeks had an opera, had different tonalities, modes / frets.
Classic music is healing and balancing to human Gentile soul, that’s why it was destroyed totally by kikes in 20 century, as in 20 century more and more kike “composers” began getting music education and “composing” classic such as Hindemith and it became unbearable and very unhealthy. More and more people turned their backs on classic because kikes which infiltrated there destroyed Ancient tradition of tonality with “atonal” shit they made a “fashion”.
The last thing. When I was studying in my university the history of “church” music, in both Russian Orthodox church and old Catholic one (of which more late versions of xianity took after) I found that 100% of their so called “melodies” were stolen from nearby Pagan national folk songs. Italian Catholic church - from Italian folk, Russian Orthodox church - from Greek/bisantic folk etc. They have nothing of their own - because music is national thing and xianity is not - it has no basis nor root, only lie. Once Rachmaninoff took Orthodox church melody for his famous piano concerto 2 Rachmaninoff plays Piano Concerto 2 and it sound most Pagan most about love and sex, about Serpent and Pagan holidays reminding of all this to our souls and extremely faimous and make us cry. Wonder why - its our folk song stolen by xians.
Daniélou’s instance on classical music is bullshit... People like to listen trash because Jews run the media, educational system as well as music industry, so these people are in a lower level of existence, being uneducated to swallow any crap they hear, as well as mocking higher culture as a whole and praising stupidity.
Classical music fans exist in great number so the argument it does’t fitting people’s vibration or whatever is nonsense, and these classical fan’s awareness is higher than the crowd such is its effect on the mind, just give a look at great geniuses and classical music students and fans such as Jimmy Page and Adolf Hitler, and are usually the first ones to give up on enemy programming. Satanism isn’t currently liked by the major crowd so it’s less applicable for humans? Kids learn to like what they were exposed to no matter how bad a music is, and so they are supposed to follow certain enemy religion if they are exposed to it from the birth, and in both cases it’s reversible by education and spiritual openness. So the ‘formula’ is in the Harmonic Field and its infinity of possibilities that all geniuses of music knew how to use well (search about “The Mozart Effect”), not some 4/4 beats formula every modern music has. In either case, these classical fans majoritarily enjoy traditional folk songs which are also disliked by modern mobs. Hence why the Third Reich nourished, educated and promoted classical music and higher culture as a whole, not the other way around, as well as popular non-classical Schlager and Volksmusic if they were of good taste, not excluding the classical bases. Good examples are the State Orchestras and the obvious, Hitler liked and promoted Wagner (who like him, was a Pagan/Satanist). An interesting side-note is that how the musical note G is Sol (Sun) in Western notation, and G in non-corrupted Freemasonry is about the “silver” elixir, that is combined with “gold” Aum for the the Magnum Opus, read: https://groups.yahoo.com/neo/groups/JoS ... ssages/382 Mr. Daniélou can be good at understanding Ancient Paganism, but he didn’t understand quite well of music in a (real) spiritual base or about Jewish control of music industry. This is not only in music but the Jewish destruction of any good art and degeneracy of educational system in order to undermine society, just look at their so called modern “art” and the rotten Jewish spirit in it.
Wager - Judaism in Music:http://www.jrbooksonline.com/pdf_books/ ... nmusic.pdf
Where you can f[/IMG]
And thanks brother Edward for the comentary as follows:
Thanks brother.
Mozart was linked to masonry in the last part of his life. He ended his official work and began investigating in mason mysteries. His last opera (after which he died soon under some very strange circumstances, like being poisoned or such) was called “Magic Flute” and actually is all about allegories. The flute as all classic instruments is symbolic, as far as all aerophones were made of wood in that time still, it is the same wood Wotan and many other Gods hang from - sacred tree of life., which made them go “through fire, storm etc.” The subject was masonic as well, and those feats and tests they went through also had to do with spiritual allegories of advancement in MO and i.e. masonic hierarchy. Soon after he died mysterious death that he foreseen as far as he had extraordinary abilities, extraordinary memory etc. Mozart’s music is said to be healing to the mood and soul and recommended to pregnant mothers.
It is notable how classical orchestra always was very strictly balanced. Specific number of aerophones, brass, strings, drums etc. that has unique balance that creates wonderful magical sounding that only classic orchestra can give till nowadays. There is no too much beat like in “pop” of today. It is balanced so we have the rhythm but in the same time can enjoy the beauty of violins and soft aerophones. It’s because the groups of instruments are symbolic and correspond with the elements. Aerophones - with air, drums - with Earth. They can’t overweight each other or it will be no that healing to soul as it would be if they were.
Also opera theater as a whole is notable: its form is of Ancient Greek amphitheater. Actually all theater and opera came from Greece. In music universities theoretical/historical faculties you can learn that Greeks had an opera, had different tonalities, modes / frets.
Classic music is healing and balancing to human Gentile soul, that’s why it was destroyed totally by kikes in 20 century, as in 20 century more and more kike “composers” began getting music education and “composing” classic such as Hindemith and it became unbearable and very unhealthy. More and more people turned their backs on classic because kikes which infiltrated there destroyed Ancient tradition of tonality with “atonal” shit they made a “fashion”.
The last thing. When I was studying in my university the history of “church” music, in both Russian Orthodox church and old Catholic one (of which more late versions of xianity took after) I found that 100% of their so called “melodies” were stolen from nearby Pagan national folk songs. Italian Catholic church - from Italian folk, Russian Orthodox church - from Greek/bisantic folk etc. They have nothing of their own - because music is national thing and xianity is not - it has no basis nor root, only lie. Once Rachmaninoff took Orthodox church melody for his famous piano concerto 2 Rachmaninoff plays Piano Concerto 2 and it sound most Pagan most about love and sex, about Serpent and Pagan holidays reminding of all this to our souls and extremely faimous and make us cry. Wonder why - its our folk song stolen by xians.
